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IB Diploma Social & Cultural Anthropology SL ยท Internal Assessment: Critical Engagement with an Ethnographic Account
Mini-Lesson

Internal Assessment (SL)

The SL internal assessment asks you to engage in real anthropological practice and to reflect critically. This lesson covers the SL fieldwork task and how to critically engage with an ethnographic account.

the SL IA critical reading reflection the spine of this mini-lesson
Work through each screen and collect stars as you go.

Answer the quick checks, the sort and the match as you go to collect stars. Press Start when you are ready.

What the SL internal assessment is

Doing anthropology yourself

The IB SL internal assessment is a piece of engaging in anthropological practice. At SL it is built on limited fieldwork: making an observation, gathering some secondary data, and writing a critical reflection. The focus is on the position of the observer, the methods chosen, and the ethics of the work.

Key point: the SL IA is not a large research project. It is a focused chance to observe, then reflect honestly on how you did it and what shaped what you saw.

Critically engaging with an ethnographic account

Reading like an anthropologist

Whether you read a published ethnography or reflect on your own observation, critical engagement means analysing:

  • the anthropologist's viewpoint and positionality
  • the methods used and their limits
  • the key concepts at work (identity, power, symbolism and so on)
  • the ethical issues raised
  • how far claims are supported by evidence
Quick check

What does it mean to engage critically?

?Critically engaging with an ethnographic account mainly means:
Recognising the observer's position

Every account has a standpoint

No account is a neutral mirror. Renato Rosaldo's essay Grief and a Headhunter's Rage introduced the idea of the positioned subject: only after his own bereavement could he understand the rage that led Ilongot men to headhunting. The researcher's position and experience shape what they can see and understand.

Quick check

The positioned subject

?Rosaldo's idea of the positioned subject suggests that:
Reflexivity in your own practice

Turn the lens on yourself

In the IA you should be reflexive: reflect on how your presence, identity and assumptions affected your observation, and be honest about what you could and could not access. What did people perform for you? What did your standpoint make easy or hard to see?

Sort it

Sort the IA tasks

Tap a task, then tap which part of the IA it belongs to. (Two each.)

Observation

Reflection

Ethics

Quick check

Reflexivity in the IA

?Being reflexive in the internal assessment means:
Ethics in the IA

Responsibilities when you observe

Even a small observation raises ethics: seek informed consent where appropriate, do no harm, keep people anonymous, and report honestly. Be especially careful when observing people you know, and mind the power difference between observer and observed. Malinowski's field diary is a reminder of the gap between tidy method and messy reality.

Quick check

Ethics in practice

?Which is an ethical requirement when carrying out fieldwork for the IA?
Representation

Writing about others is never neutral

How we write about other people matters. The volume Writing Culture (edited by James Clifford and George Marcus, 1986) launched the crisis of representation: ethnographies are partial, authored constructions, shaped by rhetoric and power, not neutral records. Good critical engagement keeps this in mind.

Match it

Match each IA element to its description

Tap an element on the left, then its description.

Element
Description
Quick check

The crisis of representation

?The Writing Culture critique argues that ethnographies are:
Choosing what to observe

A feasible, ethical setting

For the IA, choose a setting you can observe ethically and realistically: a public or semi-public activity where you can watch social behaviour without intruding. Focus on a small, clear question about what people do and how they interact.

Methods for the observation

How to gather your material

Combine direct observation with secondary data (existing sources on the setting). Take careful notes at the time or immediately after, recording what happened, who was involved, and your own role and reactions.

Structuring the reflection

What a strong reflection shows

A strong critical reflection discusses your methods and their limits, your positionality and its effect, the ethical issues you faced, and how key concepts helped you interpret what you saw. Honesty about limits is a strength, not a weakness.

Recap

The big ideas to take away

SL IA: limited fieldwork: observation, secondary data, critical reflection

Critical engagement: analyse viewpoint, methods, concepts, ethics, evidence

Positionality: the observer standpoint shapes what is seen (Rosaldo)

Reflexivity: reflect honestly on your own role and limits

Ethics: informed consent, do no harm, anonymity, honesty

Representation: ethnographies are partial and authored (Writing Culture)

You are ready to observe, reflect and engage critically for the internal assessment. Press Finish to see your score.

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Mini-lesson complete!

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You have worked through Internal Assessment: Critical Engagement with an Ethnographic Account. ๐ŸŽ‰

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